Closing out my posts for this weekend, here is my favorite album from Boston's Cul de Sac. Except for the intro and outro tracks and the occasional found-sound voice sample, it's a completely instrumental album. Cul de Sac appear to draw inspiration from several musical touchstones: raga, krautrock, psychedelic, free jazz, prog, surf, noise, electronic, and probably other stuff that I'm even less qualified to fake my way around discussing.
If you like China Gate, don't stop here. Cul de Sac have several great records, including a studio collaboration with John Fahey and a two-disc live collection from a intercontinental tour with Damo Suzuki.
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