What the hell am I going to say about this? I am not worthy to describe it accurately, but I will try anyway. Crystalized Movements was the first in a long succession of bands led by underground psychedelic guitar icon Wayne Rogers. Eric Arn (of Primordial Undermind, and an underground guitar icon in his own right) played second guitar in earlier lineups of Crystalized Movements. Prior to releasing This Wideness Comes in 1990, Arn was replaced by longtime Rogers collaborator and partner Kate Biggar. The rest, as they say, is history. Monday, February 9, 2009
Crystalized Movements - This Wideness Comes
What the hell am I going to say about this? I am not worthy to describe it accurately, but I will try anyway. Crystalized Movements was the first in a long succession of bands led by underground psychedelic guitar icon Wayne Rogers. Eric Arn (of Primordial Undermind, and an underground guitar icon in his own right) played second guitar in earlier lineups of Crystalized Movements. Prior to releasing This Wideness Comes in 1990, Arn was replaced by longtime Rogers collaborator and partner Kate Biggar. The rest, as they say, is history. Saturday, October 4, 2008
Royal Trux - Sweet Sixteen
I think this album is genius, and I think the following review from Rolling Stone nails it perfectly... except for the 1-star rating, that is."Virginia's Royal Trux mix bad Company biker blues, Southern rock, synthesized AM drivel and arty college experimentation like an underage bar goer mixes drinks: slamming 'em down till they come back up as regurgitated sonic swill. Combine that with a trailer-trash-chic image – skintight bell-bottoms, cowboy boots and whiskey-warped expressions – and you have an underclass shtick that has made the Trux underground faves.
On their sixth underproduced album and second major-label release (yet another indie band signed in Nirvana's wake), singer Jennifer Herrema works hard at sounding trashy, slurring lyrics in a raspy tone a la Nazareth. She hisses ultranasty lines like "Sweet 16 and never been clean" alongside guitarist and vocalist Neil Hagerty's own thin warble. Indulgent wah-wah guitar solos bump into disjointed drum beats.
Every song on Sweet Sixteen eventually lapses into a meandering mess, even on tunes where the Trux attempt to mimic Zeppelin's repetitive rhythms or the Allman Brothers' jams. Instead of respecting the music they bastardize, the Trux treat it as low art, approaching '70s rock like a cocky adult playing a kids' game. By mid-album, you begin to wish Lynyrd Skynyrd had crashed this recording session and kicked the Trux's pretentious asses into some sort of cohesive groove." (RS 757)
Royal Trux - Thank You
Much has been made of the major label feeding frenzy in the years following Nevermind. It left many a hipster scratching his head and asking "did they really think this would appeal to the Wreckz-n-Effects-loving masses?" Sunday, September 28, 2008
Grafton - Blind Horse Campaign
In case anyone is branding me as some indie rock oldster in full-on mid life crisis, here's something from this century. Grafton is a heavy rawk trio from Columbus, OH - the most hospitable city I've ever visited, for what it's worth.