Showing posts with label instrumental. Show all posts
Showing posts with label instrumental. Show all posts

Tuesday, November 25, 2008

Pell Mell - Flow & Interstate

  

[I have been very busy lately with work and family.  Free time has been at a premium.    To those who have commented and written, thanks for the encouragement!]

For whatever reason, there is a disproportionate amount of music released in 1992 that has always dominated my turntable/CD player/computer/iPod playlists.  Among my very favorites from that year, and from all time, is Pell Mell's third LP Flow.  This is gorgeous instrumental guitar rock music with just the right combination of noise and melody and quite a distinctive style.  It certainly borrows elements from surf music and krautrock, but from my perspective this mostly sounds like... well, it sounds like Pell Mell.

All you middle-aged heads like me remember the major label feeding frenzy of the early 90s.  For Pell Mell, it was kismet.  Microsoft used a snippet of one of their songs (I think it was "Flood" but I am not sure, and the interwebs fail me on this search).  Pell Mell's former manager was working as an A&R rep for DGC.  I suppose that was as much "buzz" as one could have ever foreseen about for an anonymous, scattered,nomadic instrumental band which rarely played live and almost never toured.  The result was Interstate, another gorgeous record which picked up where Flow left off.

Interstate was not gorgeous enough in the sales column, apparently.  Pell Mell recorded another record for DGC but they got downsized instead.  The resultant album - Star City - wound up on Matador.  

A few years later I had a pleasant surprise watching the second episode of HBO's excellent Six Feet Under.  Fans of that program should instantly recognize the first song on Interstate.

Sunday, October 5, 2008

Cul de Sac - China Gate

Closing out my posts for this weekend, here is my favorite album from Boston's Cul de Sac.  Except for the intro and outro tracks and the occasional found-sound voice sample, it's a completely instrumental album.  

Cul de Sac appear to draw inspiration from several musical touchstones: raga, krautrock, psychedelic, free jazz, prog, surf, noise, electronic, and probably other stuff that I'm even less qualified to fake my way around discussing. 

If you like China Gate, don't stop here.  Cul de Sac have several great records, including a studio collaboration with John Fahey and a two-disc live collection from a intercontinental tour with Damo Suzuki.